Arrange the printing color sequence according to the original type

Regardless of the type of manuscript, although it has a wide range of colors and different colors, any color manuscript has its main color (ie, the dominant color), and some other colors are from the color tone. The color). Therefore, in conjunction with color (overprinting color order is also a color match), to comply with the principle of master-slave. If the main colors cannot be fully expressed in the printed matter, the tone of the printed matter will be reduced, thereby destroying the atmosphere of the entire picture.

The color of the manuscript is varied, but from the perspective of color tonality, the main colors of the picture are not warm colors (yellow, orange, red, etc.) or cold colors (cyan, blue, purple, etc.). The green color is neutral and does not give people a warm and cold feeling. If the green-yellow-yellow-green color tends to be warm, the greenish-green color tends to be cold-colored. This shows that the neutral tone is very small. Therefore, from the tonality of color, the color printing sequence of proofing and printing can be summarized into three color sequences. The main advantages of color sorting in cool and warm tones and neutral tones are as follows:

1. Arranging decisive colors in the most critical third and fourth color sequences;

2 can meet the requirements of any color original, easy to restore the color, the consistency of the print color is guaranteed;

3. Avoid the influence of ink hiding, so it can better highlight the main colors of the picture;

4. The black ink is placed in the first color sequence, which is conducive to the accuracy of other color plate overprints and obtains clear images;

5. The machine operator can easily master and control the ink color.

Regarding the issue of printing color order in ink paintings. Traditional Chinese painting is one of the traditional art of plane modeling in China. The use of ink by the national artists is similar to the use of color. It can give people a feeling of rich colors. Therefore, in the traditional theory, the ink color of traditional Chinese painting is divided into: coke, strong, Heavy, light, and clear colors of ink. Therefore, in the process of copying printing ink paintings, a "grey-black" platemaking process is often used. Only when there is ink in the ink painting, it is necessary to adopt the “one gray and two black” plate making process. One of the black plates is the special edition of the ink, and the ideal color sequence in the printing is: when the painters are painting It is often used, such as "strength breaks", and "light breaks thick" techniques. In order to better represent its techniques, the following printing sequence can be used: if the techniques of “breaking strong” and “sharp breaking” appear on a single screen at the same time, it depends on which technique is on the screen. The dominant position to determine the printing color sequence. In short, the color printing order of ink painting must be based on the sequence of pens and inks used by the painter in order to fully demonstrate the artistic effects of the “multicolored ink” and “mosy appeal” of the Chinese painting.

In summary, in arranging the printing color sequence, it is necessary to consider not only the properties of ink and paper, the suitability of printing, but also the color of the manuscript, and the combination of color, artistic characteristics, and technology. Consider comprehensively so that you can get the best print.